![]() ![]() I read The Edible Woman around the age of 12 and was gripped and fascinated. ![]() “Oh,” said Duncan, “you’re probably representative of modern youth, rebelling against the system though it isn’t considered orthodox to begin with the digestive system. “I’m sorry, I don’t know why I do it, but I can’t seem to help it.” She was thinking, maybe I can say I’m on a diet. “Well, okay,” he said, “but Trevor’s very proud of his cooking… he’ll be insulted if you don’t eat at least some of what’s on your plate.” “He’ll be even more insulted if I throw it all up,” she said grimly… Meat, for instance, and eggs and certain vegetables.”ĭuncan didn’t seem in the least surprised. “Well”, she said, “there are a lot of things I can’t eat I mean, I haven’t been eating them lately. Discussed below with images on slide show - is one of the works that I made whilst still at artschool - The Edible Woman Cake (1983) which I created with Anna Platten, my sister who is also an artist. The Inventory currently includes more than thirty distinct works.įor Mouths and Meaning website I have included an excerpt from The Inventory, which will be changed from time to time. The Inventory collates aspects of my practice with related explanatory and critical writing that have informed the approach to Mouths and Meaning. ![]() ![]() Bronwyn Platten ‘The Inventory’ 1963-2011 ![]()
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